“This was Estonindian black metal dub. Music for wounded bears as they shrugged off tranquilizer darts. A genre so conclusively suicide-inducing, blue-ribbon Congressional panels were afraid to listen to it. If Francis Scott Key had been a ninth-century raider whose head was still throbbing and clanging from an ax-blow to the helmet, standing with one hand braced on the dragon prow of his longship watching his enemies’ tarred warships burn in an uncanny blue bituminous haze, while unseen galley slaves chanting the stroke rumbled the ship from below, he may have closed his eyes, thought of Ragnarok, and composed an anthem like this.”
The above passage is taken from page 229 of Corwin Ericson’s Swell, and it epitomizes everything that I like about the novel, which is easily the best that I’ve read in the past few years. The book is set on a fictitious island off the coast of Maine and follows the misadventures of slacker/protagonist Orange Whippey as he gets sucked into a bizarre series of events involving cranky old fishermen, highly literate Korean smugglers, a North Atlantic whale-herding skald, and an intimidating Thor-cult priestess. This is a book for anyone who enjoys the following:
-Quirks of coastal New England culture
-Fear and Loathing in Las Vegas
-Metal (the music)
-Penis humor
-Norse mythology
-Experimentation on whales
-The Kalevala
-Alternate Abenaki/Sami history
The book was actually published in 2011, but I sadly didn’t discover it until a few weeks ago, since I have a great talent at being behind the times. I can at least claim to be the person who ordered amazon.com’s last in-house copy (but you can still get it through one of their affiliate vendors, which you should do). If further convincing is needed, check out these links, provided by Corwin himself, since we’re facebook friends (which makes it official):
https://mymemoriesofafuturelife.com/2011/12/13/the-undercover-soundtrack-corwin-ericson/
http://www.largeheartedboy.com/blog/archive/2012/06/book_notes_corw.html