Posts Tagged ‘Kalevala’

Taste the Sampo

Tuesday, June 18th, 2019

Life somehow just feels a little less trite and meaningless when you discover that an entire series of Finnish beers based on The Kalevala exists. Of course, we may be all speeding headlong towards a final destination six feet below ground (and many Finnish bands do their best to remind us of this) and it may feel like Ragnarök just keeps getting closer and closer (and many Swedish bands do their best to remind us of this), but until our personal or collective worlds are torn asunder, we at least have actual, genuine, Ostrobothnian-brewed Kalevalian beer! And proper graphic design to accompany it! Which is what this disgrace of a rambling post is mostly about.

This is partly because Ylikylä Olut Oy is a small brewery, and thus they don’t distribute to Vinland, and thus consuming their glorious nectar is something of a frustrating impossibility unless you live near their home. However, admiring their beer labels from afar is much easier.

And so praise be to Asko Leinonen for creating these works of mythological alcoholic art! Several of his badass label designs are shown below, and more may be viewed on his portfolio here, which is definitely worth checking out.

And I mean, really, who wouldn’t want to visually admire or taste those extra special bitters of Ilmarinen or Väinämöinen?

And hey! If you actually read this far, then maybe check out Corwin Ericson’s book Swell. It presents a new, interesting interpretation of the sampo. And we all need new, interesting interpretations of the sampo.

‘Tis the Season for Classic American Paintings of Pagan Finnish Santa Look-Alikes

Thursday, November 29th, 2018

THE MAGICIAN AND THE MAID OF BEAUTY
“High in the sky he saw a rainbow, and on it the Maid of Beauty.” (Wainamoinen returns home on a sledge from his exile in the icy wastes of Pohyola and attempts—extremely unsuccessfully—to flirt with the most attractive woman alive in the sky.)

Normally this dreadful, little blog focuses only on the Scandia part of Fennoscandia, but since Yule is in the air (or at least the 21st century commercialized version of it is on the shopping aisles, airwaves, etc.), it seems appropriate to deviate from that rigid stance and benignly embrace the Fenno side. Which of course can only mean: The Kalevala, Finnish metal, and/or Finnish metal based upon The Kalevala. In this particular instance, it’s specifically about the Kalevelian paintings done by N.C. Wyeth in 1912 for James Baldwin’s The Sampo: Hero Adventures from the Finnish Kalevala, which is no longer in print under the original name but has been re-released by those mighty re-printers of archaic, copy-right-expired texts, Dover Publications.

Adding to the fun trivia side of things, the venerable N.C. Wyeth was also a genuine Masshole (from Needham) who not only illustrated The Kalevala, but also illustrated other great stories such as Robin Hood, King Arthur, Treasure Island, and The Last of the Mohicans, all of which are much, much better known than The Kalevala outside of Finland. And, to use the sort of parlance favored by medieval Icelandic scribes (which isn’t what this post is about, but still), N.C. also sired Andrew Wyeth in a fruitful union between the houses of Wyeth and Bockius, and thus produced a male heir to inherit his artist’s crown, which has since passed on to Andrew’s son, Jamie. Much of the art of the Wyeth lineage is on display and online at The Brandywine River Museum of Art, but N.C.’s less-Santa-like Kalevelian works are also depicted below; the phrases in quotes are words from Baldwin’s text, and I’ve provided my own clarifications in parenthetical yellow to help put it all in context.

THE HAG OF THE ROCK
“An old, old woman, gray-eyed, hook-nosed, wrinkled, was sitting on the rock and busily spinning.”
(To prevent Wainamoinen from leaving the land of the dead, the evil hag relies on the age-old trick of failed hero-capturing: spinning an insane amount of thread that her cohort, an evil wizard, weaves together into a massive and ultimately ineffective fishing net.)

THE SLAVE BOY
“Then, at length, when all were peacefully feeding, he sat down upon a grassy hummock and looked around him, sad, lonely, vindictive.”
(Ilmarinen’s slave is pissed that the kitchen-wench put a rock in his bread.)

THE GOLDEN MAIDEN
“The flames died suddenly away, and out of the vessel there sprang a wonderful image—the image of a beautiful maiden.”
(Ilmarinen gets lonely after his entire household is mercilessly slaughtered, so he uses his unworldly blacksmith skills to create what is essentially an ancient blow-up doll, except that it’s made entirely out of gold and silver.)

And last, but not least, what would a post about Kalevelian art be without an appropriate Finnish metal soundtrack to accompany it? Because nothing screams seasonal festivity and Yuletide tradition like blasting Amorphis’ epic Kalevala concept album, Tales from the Thousand Lakes: